Sound unseen acousmatic sound in theory and practice brian kane pdf

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sound unseen acousmatic sound in theory and practice brian kane pdf

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Sound Unseen - Acousmatic Sound in Theory and Practice by Brian Kane

Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. AccordingMoreSound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. An unusual and neglected word, acousmatic was first introduced into modern parlance in the mids by avant garde composer of musique concrete Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffers ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses.

Sound Unseen explores acousmatic sound—a sound that one hears without seeing its cause. In part I, the origins of the word acousmatic are traced from Pythagoras to 18th- century France, and then to the present. After showing the mythic use After showing the mythic use of the term throughout history, a rationale is given for a better way to uncover the history of acousmatic sound. In part II, a sketch of the history of acousmatic sound in music is presented, focusing on the use of unseen sounds in 19th- century music aesthetics and concert practice.

Acousmatic sound

Instinctively engaged in a territorial mode of listening, the paranoid mole posits a series of hypotheses about the nature of the intrusive sound. The mole is unable to appreciate unseen sounds as an abstract, aestheticized experience; instead, it harbors intense curiosity about the source and cause of the auditory effects. They invoked the ancient Greek term for its reference to a group of Pythagorean initiates, the akousmatikoi , who allegedly listened to their teacher from behind a veil in order to concentrate without visual distractions. Kane effectively decenters the privileged position of Schaefferian accounts in present discourse and opens the door to a broader survey of acousmatic listening practices spanning a variety of sociohistorical situations. In a book-length format, however, his central arguments are buttressed by an impressive inquiry into historical texts and an expansive application of his ideas to cases that cut across several disciplines, including music, sound studies, literature, and philosophy. Consisting of two chapters, the section presents a meticulous historiography of ancient sources on the Pythagorean veil and traces the linguistic migration of acousmatique into contemporary French usage. Likewise, whatever factual inaccuracies may exist in Schaefferian accounts of the akousmatikoi , the overall potency of the narrative remains strong as a fictional lynchpin for the acousmatic music community.

Benjamin M. By Brian Kane. In Sound Unseen , Brian Kane gathers an impressively broad set of philosophical perspectives, historical and etymological genealogies, and musical case studies in the service of his theory of acousmatic sound—sound whose source is concealed. This dizzying breadth, however, belies the tightly focused ontology that enables it. In fact, one could read the entire book as Kane's defense of his ontology of sound and its complementary, if not

Review of Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (Oxford, 2014)

Acousmatic sound is sound that is heard without an originating cause being seen. More generally, any sound, whether it is natural or manipulated, may be described as acousmatic if the cause of the sound remains unseen. The term has also been used by the French writer and composer Michel Chion in reference to the use of off-screen sound in film.

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This is just what Perry said.

Sound Unseen: Acousmatic Sound in Theory and Practice

 - Сьюзан пожала плечами, демонстрируя равнодушие. - Мы с ним какое-то время переписывались, - как бы невзначай сказал Хейл.  - С Танкадо. Ты знала об .

Беккер отчаянно давил на тормоз, но покрышки потеряли всякое сцепление с полом. Спереди на него быстро надвигалась стена. Такси все еще продолжало крутиться, и в ожидании столкновения он сжался в комок. Раздался оглушающий треск гофрированного металла. Но Беккер не ощутил боли. Неожиданно он оказался на открытом воздухе, по-прежнему сидя на веспе, несущейся по травяному газону. Задняя стенка ангара бесследно исчезла прямо перед .

Через девятнадцать лет, в возрасте тридцати шести лет, она лежала в родильном отделении больницы, страдая от внутреннего кровотечения, и знала, что умирает. Она не знала лишь того, что смерть избавит ее от еще большего ужаса: ее единственный ребенок родится калекой. Отец Энсея так ни разу и не взглянул на сына. Ошеломленный потерей жены и появлением на свет неполноценного, по словам медсестер, ребенка, которому скорее всего не удастся пережить ночь, он исчез из больницы и больше не вернулся. Энсея Танкадо отдали в приемную семью. Каждую ночь юный Танкадо смотрел на свои скрюченные пальцы, вцепившиеся в куклу Дарума note 1и клялся, что отомстит - отомстит стране, которая лишила его матери, а отца заставила бросить его на произвол судьбы.

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 Очень умно, Грег. - Там подают отличный карпаччо.  - Хейл улыбнулся.  - Что скажешь. А потом мы могли бы… - Выкинь это из головы. - Сколько в тебе снобизма.

COMMENT 2

  • Middle name: Willow Abigail. Ireneo M. - 22.03.2021 at 04:21
  • Sound Unseen. Acousmatic Sound in Theory and Practice. Brian Kane Pierre Schaeffer, the Sound Object, and the Acousmatic Reduction PART TWO. DorothГ©e B. - 24.03.2021 at 19:44

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